![]() In Name Only: The Interaction of Title and Genre in the Sonata Forms of Debussy and RavelĮastman School of Music, University of Rochester Thematic and Formal Narrative in Respighi’s Sinfonia DrammaticaĪn Examination of 1920s Parisian Polytonality: Milhaud's Ballet La Creation du monde ![]() The Seventy-Seven Partitions of the Aggregate: Analytical and Theoretical Implications Harmonic Schemata of Popular Music: An Empirical Investigation of Analytical Patterns and their Mental RepresentationsĪ New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century ![]() ![]() All Dissertations | See New Dissertations Author
0 Comments
Leave a Reply. |